A free flowing intro sets the mood of the song and offers a good build up to some sparkling moments. The charanam in particular is beautifully crafted. Ghibhran fills the soundspace with instrumental fills and intricate effects that compliment the score. The male vocal interlude does affect the progress a bit but Padmalatha’s voice returns to restore normalcy.

The sound of percussions and its usage lends a refreshing sound even for a traditional folk tune. The vocals of Gold Devaraj spike up and mellow down without warning which can be unsettling at first but it does add an undeniable personality to the tune. The seamless usage of the backing chorus, chords and the electronic effects are touches of brilliance from the composer.

With the lyrics indicating a sense of attachment and loss, the mood is naturally melancholic and sombre. While the stage is set effectively for the tune’s purpose the vocals and the orchestration seem to engage in a battle to attain the spotlight and in a way overpowering the essence of the composition.

The ceremonial percussions make for a vocal melody that starts off like a religious hymn and the track is built on that. Ghibhran keeps the orchestration rather minimalistic and to the point by employing the native sounds of village festivals – percussions and timers. Gold Devaraj sings with intensity and does sound menacing in certain moments.