The music director tries to take a simple idea and make something more out of it by filling it with as many ‘urban’ elements as possible but the result is underwhelming to say the least.  Vocally the song doesn’t present the singer with an opportunity to show skill, the English melody carries a strong resemblance to something we have heard in the international pop charts.

A pretty generic romantic duet that has some decent melodies and competent singing. But the song feels lacking of an x-factor to take it to the next level. The whole production feels a bit ‘thin’ and gives the impression of being empty within.

Another electronica track that begins on a promising note with the phasing effects alternating in stereo. Just as you feel that the song has set a platform for something interesting it fades to a close! Anna Katharina shows good versatility throughout the album including this track.

The song’s lyrical content and the singer’s emotiveness suggest that this could be a club/item song. The musical shift from electronic to native percussions is nicely done. The singing is sensual as per the demands of the song. The song is pretty uptempo as expected, and the tune is fairly direct.

A peppy gaana song that has a unique Kerala feel to it with its percussions and its boat-race battle cry-like chorus chants. The song has been delivered well by Mukesh, but his delivery style is reminiscent of a particular gaana track written and performed by Kamal Haasan in PKS.

A beautiful melodious composition sung by the composer himself, brings the album to a close. This is a soft song that goes through a lovely organic ebb and flow and is complimented by the heartfelt singing. The song is predominantly guitar driven and the playing is exquisite, especially the fills. A very pleasant and simple tune that takes its own shape without bombarding you with dramatic orchestration.