LINGAA SONGS REVIEW

Reverberating SPB kicking in with the flamingo type orchestration, Oh nanba is a thorough retro. Isaipuyal has taken an outdated genre' and has cleverly fused it with party-mix and rap. The acoustic strumming and the congo add a constant pace. The period setting in the movie might give an edge to the track.  

Rahman tends to keep it simple when its for Superstar. Thanks to the tune, this duet is chirpy and Bollywood like. The bhols, swarasthanams and tambourine give us an idea of what to expect on screen. Might not be instantly accessible though.

The magical Rahman voices for a song that readily talks of unity and patriotism. The powerful chorus, authoritative lyrics and the groovy rhythm progression make it an addictive number. Rahman scores as a quality tenor again. The experimental tape-beat towards the end and the sudden change in the lead tune are typical Rahman elements.

The powerful Mano is back. Nadhaswaram for a melody? That is AR Rahman. Starts off like a mash up of all the recent international trends in music with all the growling in the singing and the Spanish phrases. But the catchy lyrics, thavil and interesting chords in the background make it fun filled and celebratory. Neeti and Tanvi, the female singers are top class.

The much needed pathos of the album. With just the hand drum and the deep Haricharan's voice, Unmai orunaal is soft and sober. The instrumentation and the singing neatly parted for an uncomplicated listen shows Rahman reaching out to the casual listeners.