UTTAMA VILLAIN SONGS REVIEW

Beginning with the hang drums and dwelling into a scintillating voice with brilliant gamakas, a carnatic number that is sure to be used for Bharathanatyam ballets. Haunting chorus, rim shots on the hand drum, nuances like setting a ghost note on the chord progression by tingling the harp, minute detailing with accentuating effects with the Kanjira, Mridangam and chimes are all pure ingenuity.

Psychedelic chants, electronic pop, trance like EDM and quirky voices along with purposefully programmed jarring beats are this song's strong elements. Kamal's range and Sharanya's Usha Uthup like rendition add juxtaposing flavors to this uniquely sounding track. The Loveeaa Loveaa portion is addictive and will very soon develop repeated listens. The acoustic guitarist sets the pace and establishes the soul of the song. The rhythm breakdown in the second BGM is surprising and enterprising. Ghibran is exploring beyond the horizons.     

The Morsing gives the ideal start to a Villupaatu that's busy telling a story. The group singing, manually created lively rhythms by bhols, Kamal's soulful voice especially in the thisra nadai, is inspiring. The track effortlessly changes from Mayamalagowla scale to Shankarabharanam base. The lyrics going along with the fast paced tune is foot tapping. The rhythm change towards the end with an octave higher is the goosebumps giving moment. An authentic ballad.

This composition is an outrageous cry. Ektara to kindle and Kamal's range of of being a soprano is jaw-dropping. Begins in Harikambhoji and deviates to alien notes in between. A light-classical composition treated with unusual elements like using electronic beats and playing accents with the grand piano. Sounds of the sword, an allegro for the group singers and the magnanimous chenda melam are ambitious.     

A monologue driven by a sing-song pattern. A potpourri of genres, involving ball room music to carnatic to opera to hard-rock to what not? Possibly a visually driven piece, establishing a journey. An experimental, progressive track that has to grow into you. The lead vocals follow the wonderful carnatic touch which has flavours of Shakarabharanam with slight deviated notes.There is so much to notice every time you listen to it. A highly orchestrated track with brass sections, syncopated rhythms and deadly bass lines. The usage of Theyyam-exclusive instruments like chenda, kuzhal, perumabara and utuku are top class. A listening experience than to be termed as a song.    

Mridangam and English horn in a single song? An animation of emotions ranging from cartoon like funny portions to intriguing arrangements creating fear. With Sofia symphonic orchestra chipping in, this song has all the elements to be called purely international. The condescending arpeggios in the preludes become a strain, but the song situation might justify it. Timpani, string sessions, use of Celtic instruments and a wide variety of instruments make it a power-packed track. Absence of a set rhythm makes the song a little hard to follow. Every element in the song has a purpose and reason. The folkish ending is a relief.         

From a Pallavi to a sudden outburst of tunes and some dialogue driven sequences in the middle, Uttaman Kadhai narrates a story using woodwinds, brass and strings. Keeping symphony as the foundation, the composer has jumbled with a cluster of genre's. Needs repeated listening to get a hold of it. A therukoothu that is a quintessential masterpiece. From tapping the strings to acapella to tune progression, a tiresome listen that'll creatively challenge you.      

Song mastering at its best. Kamal’s haunting voice, killer sarvalagu of the percussion, didjeridoo and some unnameable drone pipe comprehending Kamal's Tuvan (overtone) like singing, are a whole new experience for the Indian ears. 

An instrumental track that's based on ambiance music centered around the Polka and the Waltz. If the visuals are comprehending, then this OST is bound to turn heads.  

This track is no less for all the Zimmer like scores you come across in Hollywood films. A full-fledged orchestra with French horns to Double bass to every part of the Sofia Chamber Orchestra. Ghibran is the Indian Yanni. 

The beautiful Grand Piano and the Contrabassoon along with clarinet to get along with the strings? Another orchestrated symphony that'll make you feel light.   

The softer version of Iranya nadagam. Pianos, chimes, humming and mrithyumjayaho chants create a stir. 

Head singing, melancholic Pianos and the symphonic arrangements take you on a soulful trip of pure devotion.  The flute in the end is a new addition to the album. 

Santoor, harps and Pianos merge to give a feel of letting it go. Another OST that will beautify the visuals.