DIRECTOR BRAMMA G INTERVIEW

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"A PART OF ME DIDN’T WANT ME TO WIN A NATIONAL AWARD" - BRAMMA G

Interview Team : Sudharshan; Jeevakaran

Sudharshan Giridhar in a conversation with Bramma G, the National Award winning director of Kuttram Kadithal




“Pirammanathan is my name… People used to call me Bramma, because they found Pirammanathan too hard to pronounce. I liked that people called me Bramma! I liked the name… It had a ring to it”

 

It surely has a ring to it and add a National Award to his credit for his maiden creation, it just feels apt. With the National Award Winning Kuttram Kadithal finding its release this weekend, director Bramma gets into an open conversation with Sudharshan Giridhar. Excerpts:


Everyone has a moment in their lives, when they realize they were born to be someone in particular. When did you realize you were going to be a filmmaker?

I wouldn't say, filmmaking is what I’m destined to do. I realized I had a lot of things to say, a lot of stories. Filmmaking is one of the many tools I’m using to narrate my stories.

 

I also use writings, poetry, dramatics as tools to tell stories. In fact I’ve been into theaters and street plays for more than 15 years. I’ve penned over 500 street plays.

 

As far as the moment of realization, my dad was a Tamil teacher and definitely not an easy man to please. I, when I was in my 6th standard, wrote a one-page story. My dad read it and didn’t say anything to me. But I found him talking about it proudly to his friends. And even today, I find that particular story matured in its own way. Since then I’ve been writing a lot, finding a way to vent out the stories that has been taking form in my head.

Filmmaking is one of the many tools I’m using to narrate my stories


Let’s talk about your involvement in dramatics…

I was an active NSS participant in my college and that’s when I was exposed to street plays. That introduced me to a new tool to tell stories. I was so addicted to it that I started getting into a lot of competitions and even won a few major ones. Those laurels acted as an impetus to continue doing good work. I, along with a friend of mine, went on to start our own organization called Proscenium theater and creative solutions.

 

We started training and performing plays for colleges, schools, corporates and NGOs through this organization. 

 

How much of theatrical influence have you included in Kuttram Kadithal?

Not just Kuttram Kadithal, I’d like to give a lot of theatrical influences to all my movies. Unlike the general opinion, I don't believe the performance techniques vary between films and theaters. People who know my style of plays would understand that they aren't exaggerated in terms of performances. I like to explore dark subjects in my plays and I believe exaggerations aren’t necessary for expressing those stories.  

I’d like to give a lot of theatrical influences to all my movies

 

How did Kuttram Kadithal take form?

I was heading a project at Nalanda Way foundation. My project was to build life skills among youth through fine arts.  Later I realized that I had fairly good intentions and content, but the audiences were very minimal. After each play, there wouldn't be many people, who’d remember it for long.

 

Being an opinionated person, I believed I deserved a bigger audience. That’s when Christy came into the picture. He had produced a PSA for me and he suggested I do a film for him. Since I already was looking for a bigger audience, it didn’t seem like a bad suggestion. 

I deserved a bigger audience

 

Would you consider Kuttram Kadithal as a purely experimental movie?

As far as I know, there’s nothing experimental about the film, except that it has got a bunch of new actors.

 

Was Kuttram Kadithal made with film festivals as the primary targets?

I’ve never been to any film festivals before. Even today I wouldn't consider myself a film enthusiast. I had something in mind and I wanted it to be said. I chose filmmaking as an instrument.

 

So, to answer your question, this film hasn't been made with just the festivals in mind, but all kinds of audience. Afterall, I needed an audience and the bigger the better. It so turned out to be a film of festival audiences’ taste. Thus it won awards.

I’ve never been to any film festivals before

 

JSK’s involvement in Kuttram Kadithal…

Once Christy and I were done with the film, we needed another partner, preferably a big player in the industry, so that the film gets a wider release. We approached a lot of people and J Satish Kumar was the one, who showed a lot of interest in the film. In fact, it was he who thought the film has a lot of potential to win awards. He came up with the strategy to send the film to festivals and awards and later release the film.

 

We all started believing in the strategy when the film was selected as the only Tamil entry in the Indian Panorama. 

 

How come there’s not a hint about what Kuttram Kadithal deals about, despite being screened in a lot of Film Festivals, including Chennai International Film Festival?

I’m amazed myself.. In fact there were a few reviews online that came after the screening in Chennai. If you find them all and put it together, the whole movie would be revealed. but fortunately, those reviews and articles haven’t made any major impacts yet.

 

Kuttram Kadithal is about people, their opinions, perspectives and methods. The story happens around one incident and in 24 hours.

Kuttram Kadithal is about people, their opinions, perspectives and methods

 

Do you have any idea what the juries of National Film Awards felt about your film?

Once the film started winning laurels in festivals, I started establishing contacts with all the jury members of each festivals. I sincerely wanted to know why my film was being appreciated. I spoke to a lot of them and I’ll share two instances.

 

Four months after Indian Panorama, I managed to get in touch with Ms Archana (Veteran Actress). After the National Awards, I asked the same question to Mr. Bharathiraja. Both felt that Kuttram Kadithal was genuine and unadulterated. They were all moved by the picture and in fact Ms Archana felt that had Mr. Balumahendra been still there, he would have expressed his happiness over the film by hugging the whole team. 

 

Mahakavi’s Chinnanjiru Kiliye…

I didn’t have the idea of adding the song initially. But as the story took form, I needed to express crucial concepts and opinions as crisp as humanly possible. So we decided that we’ll cut scenes into montages and add a music in the background. But out of the blue, I got reminded of Bharathiyar’s Chinnanjiru Kiliye and coincidentally, every single word of it turned out to be perfectly in sync with the sequence and the whole story.    

Every single word of the song turned out to be perfectly in sync with the sequence and the whole story

 

How’s it going to be moving forward? Will you experiment a wide range of genres or are you going to stick to one style of films?

I want to attempt all kind of genres. I want to try comedy, satire, suspense, thrillers… The one thing that will be common in all my films is that each one will have a purpose. I’ll not do something for the sake of doing it. Money will not drive me to do a film but the story itself.

 

Most importantly, my films must reflect my culture. I feel there are a plenty of untold stories on our Tamil culture and language.

 

To me, cinema is a medium that must be handled with utmost responsibility. 

 

Are your contemporaries making it hard or happier for you to belong in the Tamil industry, in this particular part of the era?

I’d go with Happy… we have become a gang. We are like minded filmmakers, who give utmost importance to the content. 

 

Mr. Rajinikanth going with a fresh talent like Ranjith, whose idea of cinema is completely different from what the superstar has been giving lately… How do you see this development?

It is definitely heartening and Mr. Rajinikanth’s choice (Kabali) will bring about a major change in the Tamil industry. He has paved way for all the mainstream actors to confidently come forward and work with the new generation of directors. 

Mr. Rajinikanth has paved way for all the mainstream actors to confidently come forward and work with the new generation of directors

 

What is your next move?

I’m planning a political thriller. Let’s see how it pans out. 

 

Finally, I wanted this to be the last question… Explain the moment when you first heard your film had won the National Award… Who broke the good news to you?

My editor brought me the news first. I was riding when he told me about the award. The myriad appreciations and awards that preceded the National Awards, had sowed dreams and desires of winning the National Awards. But at the same time, a part of me didn’t want me to win it. I wanted it probably after three or four more films. A National Award for a first film was too much to expect and I, for a fact, know that there are artists and filmmakers better than me at this point of time. To make myself believe that I’m a deserving candidate for the National Awards, I must know my contemporaries well and make myself competitive.

 

I still believe, for a person who had no idea of making a movie a couple of years back, a National Award for my first movie is premature, a bit embarrassing and a huge responsibility.

 

I hope you bag a few more National Awards after your third or fourth, just as you wished. 

A National Award for a first film was too much to expect


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