"HE IS NOT THE OLD STR, ANYMORE ..."
Interview Team : Kaushik L M; Venkat; Jeevakaran; D Meera Chithirappaavai; AvudaiappanTweet
One of the key technicians in Vaalu is DoP Shakthi, a former assistant of the late Jeeva. Shakthi has worked in films such as Renigunta, Muppozhudhum Un Karpanaigal, 18 Vayasu and Ivan Vera Mathiri. Vaalu is his ticket to the big league and now that the film has opened in theaters successfully, Shakthi has every reason to feel optimistic about the future. Here he chats with Kaushik and Venkat for an interview.
PHOTOS & STILLS - GALLERY
Vaalu has released finally … How does it feel ?
Yes ! I am extremely happy. The long wait has come to a closure. My career, after Vaalu, will be boosted as this is one of the big budgeted films that I have worked for. Other directors will gain the confidence on my capabilities to handle a project of this scale.
The last one year, he has gone through a lot of changes, he is not the old STR. His confidence level has ramped up. His behaviour on the sets has gone through a lot of alteration in this one year. He has taken a very matured path, with respect to his physical and philosophical life.
STR's behaviour on the sets has gone through a lot of alteration in this one year.
I can explain this only with an example. Few days back, he came down to watch a song sequence during the final leg of post production. We had watched the same song sequence, more than four times. He quickly spotted two errors, one regarding DI and another in the DTS mixing. That is his level of expertise. It is very encouraging when you work with someone who is technically sound. He won't interfere in our work but he observes our work in all the stages. He is also an expert in maintaining continuity even with the minutest details.
Bobby master introduced me to Vijay. Casually, he narrated Vaalu’s script to me. At that very point I decided that I will do the cinematography for this project. What really impresses me about Vijay Chandar is that he still holds the same excitement and spirit that he had, when he first narrated the script to me. His positive energy is highly infectious. Though he received many offers in the meantime, he was determined to release Vaalu first, before moving on.
The director had a great rapport with all the artists, be it Simbu or Hansika. So he could extract good work from them whenever needed. She gave us her dates without any hassles, and co-operated like a true professional.
Hansika co-operated like a true professional.
Yes, we have plans. We want to bring more celebrities into this initiative and make it grander. Akon’s portions are done. We will plan the other celebs’ portions soon.
The trailer of Vettai Mannan is ready. Next in line for Simbu is Idhu Namma Aalu which might be followed by Vettai Mannan. We are completely ready with its first half. The second half shifts to a foreign location and we are looking at Bangkok. The location scouting is all done. We might shoot the remaining portions from November. Anirudh and Nayanthara might be the new additions to the team. It’s a dual heroine subject where we have completed Hansika’s portions and the other heroine’s portion is pending.
Anirudh and Nayanthara might be the new additions.
I have implemented all that I learnt from Jeeva sir in Vaalu only. Because Renigunta is not Jeeva sir’s shade. You will not see that shade in Vettai Mannan too. It is Vaalu where, from the range to the ambience, you will see Jeeva sir’s treatment style. I was very conscious in my earlier films that my work shouldn't get categorised under Jeeva sir’s style. But in Vaalu, I wanted to use his style. My favourite trait of Jeeva sir is the saying that he always repeated, ‘Talk less work more’.