INDIRA VIZHA - MUSIC REVIEW
Review by : Malathy Sundaram

Music Director : Yadheesh
Vocals: Hariharan, Sujatha, Balaji, Yadheesh, Priyadarshini, Anoushka, Kumayan, Shankar Mahadevan, Sayanora Philip, Megha, Sriranjani
Lyrics: Vairamuthu

Indira Vizha, produced by Ashok Godwani and directed by K. Rajeswar, has Srikanth and Namitha in the lead roles. Others in the star cast include Hemamalini, the late Raghuvaran and Vivek. The music for the movie has been composed by Yadheesh with Vairamuthu penning the lyrics for all the songs.

  Indira Vizha


Mogamaa---
Vocals:
Hariharan, Sujatha

A soft, passionate number set to deliberately slow rhythm and essayed well by Hariharan and Sujatha. The flute sounds seductive, the string instruments are low-key, especially the violin. Quite easy on the ears. Has a strong shade of Hemavathi raga.



Oru Kinnatthai---

Vocals:
Balaji, Yadheesh, Priyadarshini

An eminently forgettable remix version of the old Sivaji hit ‘Oru Kinnatthai’ with plenty of drums, wind instruments and harsh keyboard sounds thrown in. Just when we think the lady’s voice will bring in some relief – oh, no! No such luck! Harsh on the ears.




Kashmir Kondu Vaa---

Vocals:
Anoushka, Yadheesh, Kumayan

An awfully rendered song where you have to strain to hear the lyrics, which are nailed further by the loud musical bits too. A seductive number which could have been slightly less noisy.



Bumper Vaccha---
Vocals: Shankar Mahadevan

The song does have a catchy rhythm, but you have heard it all before. The string piece that goes ‘sa sa sa sa sa ga ri sa sa sa sa ni’ in the start is jaunty, as of course is Shankar Mahadevan. He alone holds up this song, in spite of the indelicate lyrics.



Nan Oru Sexy---
Vocals: Sayanora Philip, Megha, Sriranjani

Sayanora really lets it rip here, with her powerful voice—close on the heels of her ‘very different number’, ‘Honey’ from Ayan. Again a song with an ‘I want to freak out’ feel to it. The instrumental interludes are equally sexy.



Verdict:


An album that slips out of your ears the moment you finish listening to it. No soothing touches anywhere. Only the first and last songs pass muster.


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