While Kodambakkam was never smitten with the metrosexual
male (Abbas and Sham are classic instances), here comes Vinay
boldly proclaiming that he is one. He is urban, trendy and is
attempting to redefine the romantic hero tag that Kodambakkam
never tried to delve. Storming into scene with his breezy entry
in the romantic Unnale Unnale, Vinay seems to have everything
that takes to fill the gap of a romantic in Tamil cinema. There
is no sign yet of Vinay signing in the dotted line for his next
venture, which perhaps indicates he is basking in his debut success
or simply contemplating before striking the next deal.