While Kodambakkam was never smitten with the metrosexual male (Abbas and Sham are classic instances), here comes Vinay boldly proclaiming that he is one. He is urban, trendy and is attempting to redefine the romantic hero tag that Kodambakkam never tried to delve. Storming into scene with his breezy entry in the romantic Unnale Unnale, Vinay seems to have everything that takes to fill the gap of a romantic in Tamil cinema. There is no sign yet of Vinay signing in the dotted line for his next venture, which perhaps indicates he is basking in his debut success or simply contemplating before striking the next deal.