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Sandai Movie Review |
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Behindwoods
Movie Review Board |
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Starring:
Sundar C, Ragini, Nadiya, Vivek, Namitha, Napolean
Direction: Shakthi Chidambaram
Music: Dhina
Production: Radha Shakthi Chidambaram |
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You
need no introduction to the Shakthi Chidambaram brand of cinema-
he makes movies purely for entertainment and most often they
work. This time the director who had formerly specialized
in Sathyaraj starrers has teamed up with Sundar C to provide
Sandai. Most of you might be a bit unfamiliar with the title,
the fact being that this movie went through a few title changes
before finally settling for Sandai, it was originally titled
Porukki which didn’t go down too well with Tamil connoisseurs
who demanded that tax exemption should not be handed to such
offending titles. |
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Sandai is about a mother, played by Nadiya who unintentionally
ends up marrying her daughter (Ragini) to the son of
the person she despises most and the resulting fiasco
as she tries to run the marriage into rocks. The son
as you might have guessed is Sundar C. Now, all this
hatred for someone in the family is not about property
dispute or other similar circumstances that normally
cause family conquests- this has, instead, to do with
Nadiya’s husband Napolean’s death and some
ensuing misunderstandings that are interestingly narrated.
Kadhal Dandapaani too plays a key role in these portions.
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The
story takes off when Nadiya, who is settled in Bangkok,
brings her daughter down to Coimbatore to get married
to another NRI. But strange happenings, a few failed
kidnapping attempts, and one which is finally successful
-where Nadiya’s daughter is taken hostage -
followed by a surprising turn of events and a few
threats later, the groom and the family withdraw from
the marriage leaving Nadiya in a lurch. In a split
second decision she asks Sundar C (her bodyguard)
to take the groom’s place, only to realize she
has blindly walked into a plan that was cleverly set
down by her elder brother played by Lalu Alex (Malayalam
actor). The rest of the story revolves around the
clashes between the son-in-law and mother-in law,
her clever plans to prove to her daughter that Sundar
C is not a man worthy of her and his fitting replies
to all her schemes. Namitha appears in one such scheme
where Nadiya wants to prove Sundar C’s infidelity.
Namitha as usual has been used to raise the glamour
quotient and she does what is required of her (she
is becoming something of a constant in Shakthi Chidambaram’s
movies).
Sandai isn’t much of a movie, but it doesn’t
bore you at any point either. Vivek’s double
act comedy track raises a few laughs, generally rising
above the rather ordinary form that he has been showing
off late.
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Dhina’s music sounds good in parts; the October
Madhathil song deserves mention However, the real eye
catchers are definitely the two ‘kuthu’
numbers: Aathadi and Vanthuttanda, sung by father and
son (T. Rajendar and Silambarasan) respectively, the
front benchers are sure to go berserk when these numbers
play out on screen. The other technical aspects have
been well taken care of but there is nothing notable
on any front.
Raj Kapoor has done a neat job here, but the movie belongs
totally to Shakthi Chidambaram who has handled story,
screenplay, dialogues and direction. He has not
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allowed slackness to set in at any point,
and has thus succeeded in making a product that will cater
well to those who ask for nothing but free flowing entertainment,
a bit of sentiment, action and glamour. The film remains
faithful to its purpose of entertaining and has good prospects
in the B and C centers. This will be yet another good one
in Sundar C’s almost 100% record.
Verdict: Don't wear your thinking cap, just relax and enjoy.
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