From
Sivaji to Rajini- the name game |
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What’s
in a name? Not much, we might
think. But, in tinsel town,
a name seems to be everything.
Writers like to have pen names
and actors like to have screen
names. No one knows who started
the trend of having screen names,
but it sure has caught on like
a craze. It would not be wrong
to say that it has become a
rule rather than an exception
to have a screen name. Screen
names are no secret, we know
the real names of most stars;
there will be very few people
who do not know that Rajinikanth
was born as Sivaji Rao Gaekwad,
likewise, most of us know that
Tamil cinema’s legendary
actor was only Ganesan before
he brought Sivaji to life on
stage. We could go on for ever
with such names. But, let’s
try something different. Why
not categorize screen names
by their origins, i.e., the
reason why they came into being.
Some actors are given
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screen
names by their mentors, some get prefixes
or suffixes due to unforgettable performances
and others adopt new names because their
original ones are not that crisp and easy
to recall.
Amongst names given by mentors to their
wards the most famous has to be Rajinikanth
itself, given by the legendary KB. Then
there are a whole lot of heroines introduced
by Bharathiraja who have screen names given
by him, like Radha and Ranjitha, Bharathiraja
itself being the screen name adopted by
Chinnasamy. Malayalam director Sathyan Anthikkad
felt that Diana Mariam Kurien is too long
and anglicized for a desi heroine and changed
it to Nayanthara, similarly Lohithadass
modified Jasmine Joseph to Meera Jasmine.
The most common type of screen name has
to be the ones with suffixes and prefixes
that stuck on after a memorable performance.
The most famous in this category has to
be the legendary Ganesan who got the Sivaji
prefix. Then Mohan was labeled Crazy for
his antics, Ravi got a permanent Jayam prefix
after his debut and many examples like Thalaivasal
Vijay, Nizhalgal Ravi, Mahanadi Shankar
etc. There is also the type of names that
have come into being due to a characteristic
trait of an artiste; try this: Gundu Kalyanam,
Omakuchi Narasimham etc. Then there are
stuntmen in cinema who like to have fiery
prefixes like Kanal Kannan, Stunt Siva,
Anal Arasu, Super Subbarayan and the likes.
But the most common reason to have screen
names seems to be the non-malleable nature
of the original ones which might be too
big or twisted to easily pronounce or recall.
That is how perhaps the rather cumbersome
Jamshad Cethiracat became Arya, John Victor
Kennedy became Vikram (many say that he
adopted the name because of being a huge
fan of Kamal’s film of the same name).
Another huge Kamal fan once saw Kuruthi
Punal and changed his name from Prabhu and
adopted the codename of the operation in
the movie to become Dhanush. Mysskin adopted
his fancy name from a Russian book. Joseph
Vijay changed to the much crisper Vijay,
Vivekananth changed to the short and sweet
Vivek, Mohammad Kutty became Mammootty etc.
Then, some actors are forced to change their
names for identification purposes. Saravanan
had to become Suriya (it has now changed
to Suriya) because there was another Saravanan
around, Ganesan had to prefix the name of
his first employer Gemini because there
was another Ganesan with a Sivaji prefix.
Spiritual reason brings about changes like
in the case of Dhileep Kumar who became
A.R. Rahman or Lawrence who became Raghava
Lawrence. There are also many instances
where we have no clue of the reason behind
the changed name, like in the case of Moorthi
who became Parthiban or C. Krishna Rao Gundu
Rao who was known to us as Nagesh.
It is indeed fascinating to note that screen
names seem more prevalent than real names
in cinema. In tinsel town, a name seems
to be more than just a name.
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