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Rameswaram
Movie Review |
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Behindwoods
Movie Review Board |
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Rameswaram
Cast
: Jeeva, Bhavana, Manivannan
Direction: Selvam
Music: Niru
Production: S N Raja |
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Themes
involving the ethnic strife of Srilankan Tamils are not new
to Kollywood. Mani Ratnam in Kanathil Muthamittal had handled
this with an expert dexterity. Now in Rameswaram, produced
by S N Raja for ITA films, director Selvam has also attempted
to bring out a similar flavor. |
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Rameswaram,
a scenic island in Tamil Nadu, with limitless nature’s
bounty is located thirty-six miles from Jaffna, which
is troubled by the ethnic conflict and identified
by the sounds of war. There is only one escape route
to circumvent this struggle –Rameswaram –
where thousands of Tamil refugees land every day hoping
for a better tomorrow.
Manivannan is a Tamil teacher in Jaffna,who is the
owner of plenty of fertile lands and also a much respected
man in the town. Fourteen members of his family get
killed in an attack which follows his exit from his
native town along with the only living member of his
family- Jeeva to land in Rameswaram. Though Jeeva
and his friends leave Jaffna in a bid to
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safeguard
their lives, they are not too happy in Rameswaram
and are eager to leave for their motherland. Lal is
a humane wealthy man in Rameswaram who helps the expatriates
from Srilanka and his daughter Bhavana falls in love
with Jeeva. Villainy comes in the form of bad cop
and Bhavana’s cousin, Inspector Bose, who wreaks
havoc in the lives of the pair with his vicious conspiracies.
Will Jeeva’s attempt to reclaim his love and
to venture into his homeland again prove fruitful?
Rameswaram has the answer, nothing that’s too
unpredictable.
Jeeva’s dialogues pregnant with emotions are
sharp and thought provoking. When Bhavana calls him
a refugee, he retorts angrily saying that migrated
Tamils is a better epithet. Though he does his role
well, the native Tamil that he speaks fails him miserably.
In fact, none of the cast speaks Tamil the way Srilankan
Tamil should be spoken. This certainly is a major
let down and is a huge block from getting involved
with the film. When the nucleus of the subject is
about the refugees, adequate care should have been
taken by the director to fill up these gaps. The sequence
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where Bhavana falls in love with Jeeva is much clichéd;
besides, she seems blissfully distracted with herself. This
has put brakes in the tempo of the film. Lal as Bhavana’s
dad does a neat job. Sampath, one of the refugees also needs
a special mention.
Director Selvam shines in the scene where Jeeva gets beaten
at the police station saying that no one can break the endurance
level of a Tamil, which speaks volumes about their unshakable
fortitude. Few such scenes do move the viewers to tears.
Music by Srilankan Tamil Niru is laudable especially in the
‘Ellaraiyum Ethipoga Poga’ number, which is certain
to take all the refugees on a nostalgic trail. Cinematography
by R B Gurudev and Vetri is satisfactory. Suresh Urs’s
editing deserves a mention.
The efforts of the director in trying to convey the trials and
tribulations of Tamils can be lauded. That apart, it is just
another attempt to showcase the plight of Srilankan Tamils,
which is not strong enough. What could have been a memorable
movie watching experience is reduced to a mere time pass, courtesy
the run of the mill plot, only with a different backdrop.
Verdict - undistinguished plot camouflaged
in serious arena
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