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Onbadhu
Roobai Nottu - Thankar does it again |
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Behindwoods
Movie Review Board |
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Onbadhu
Roobai Nottu
Cast
: Sathyaraj, Nazar, Archana, Rohini
Direction: Thankar Bachchan
Music: Bharathwaj
Production: A S Ganesan |
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Tamil
cinema woke up to a fresh lease of realism with Thankar’s
advent in the scene. Bold and practical themes exploring the
mildest of human emotions form part of his movies and his
latest offering Onbadhu Roobai Nottu too proves to be nothing
less of an emotional roller coaster. |
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Thankar
Bachan, who began his expedition in the film world
in 1990 as a cinematographer also has few literary
works like Vellai Maadu, Onbadhu Roobai Nottu, Kudi
Mundiri and Isaikkaada Isaithattu to his credit. This
movie, a big screen adaptation of his critically acclaimed
novel of same name, has all elements of his creative
genius and is sure to make an impact as a masterpiece
among true movie lovers. Besides this, for Sathyaraj,
this film is bound to catapult him to a higher stratosphere
in Indian cinema.
A man who is totally bereft of worldly malice and
spite is Madhava Padayachi (Sathyaraj). He is innocence
personified and Velaayi (Archana) is his life partner
who is a boon bequeathed to him. The happenings in
their life by and large form the story – that
still happens to haunt some nook and corner of many
villages in our country. The film opens
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with a note claiming that all the incidences in the film are
fictional and continues its journey along with Madhava Padayachi
from Chennai to a small town called Pathira kottai ( Kurinjipadi
), and in the process slowly unravels his life. |
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Madhava
Padayachi and his wife Velaayi consider hard work
as the ultimate panacea and are child-like in their
hearts. Padayachi’s benevolence comes to the
fore when he decides to bail his close friend Hajabai
and his wife Khameela (Nazar and Rohini) out of a
difficult situation by pledging Velaayi’s jewels.
Hajabai gets affluent in the process when he graduates
from small betel leaf business to a much better venture.
Meanwhile instigated wrongly by relatives, Padayachi’s
sons and daughters-in-law demand that their property
be handed over to them, resulting in Padayachi and
Velaayi’s exit from the village.
At this juncture, his friend Hajabai comes to his
rescue and helps him earn his livelihood by setting
up a goat barn. When life seems to pass smoothly,
shock comes in the form of Velaayi’s death who
succumbs to snakebite. Meanwhile, Hajabai affected
by cancer, leaves for Bengalooru dividing his property
among his brothers-in-law, leaving the goat barn to
Padayachi. Unable to tolerate this, Hajabai’s
brothers-in-law snatch away this little bit of wealth
also from Padayachi. Totally driven to the streets,
he
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leaves for his native town to dissolve his wife’s ashes
and in the process dies there witnessing bitter scenes.
Director has beautifully brought out the similarities between
a nine-rupee note and Madhava Padayachi. This is a poignant
tale of an old man who failed to take a middle path, which leads
to discordance at the domestic front and the dispersal of family
to different directions. He is the perfect example of an Onbadhu
Roobai Nottu, which is non-existent and cannot be used in the
market. |
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Sathyaraj
steals the show by living the life of Madhava Padayachi.
The top of the crop would be the sequence in the middle
of the night where he carries his snake bitten wife
on his shoulders totally clueless about where and
how to go. Sathyaraj simply proves that he is a seasoned
actor after all. Giving him the toughest competition
is National Award winner Archana. She sparkles and
proves her mettle beyond words. Nazar and Rohini as
Padayachi’s friends have done remarkably well.
The scene where Rohini fears that her brothers may
drive Sathyaraj out conveys the message just with
her trembling eyes and quivering lips. Kollywood has
one more perfect villain in dance master Shivashankar,
who is likely to be seen in many movies henceforth.
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A strong support to the film comes in the form of Kavi Perarasu
Vairamuthu’s lyrics especially Margazhiyil Kulithu
Paru and Yaar Yaaro Vidaicha Nilam, which have been aptly
supported by Bharathwaj’s music. Art director Jackie
and Editor Lenin have done their role with perfect élan.
On the flip side, the second half of the film could have
been a bit faster in terms of narration.
Onbadhu Roobai Nottu is sure to find favors among true movie
buffs and would entice great circulation especially among
people who love films as passionately as any art form. For
those who seek mere entertainment, this may not appeal.
The film may find good patrons among women and is sure to
represent Indian cinema in many of the international film
festivals.
Verdict - Must watch for serious movie lovers!
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