The Thrill of Film Journalism
Article By Pen Winner
behindw@behindwoods.com

Journalism is an exciting profession. It is the best way to learn about the world around you. It draws out the adventurous and inquisitive nature of our personality. It is also the beacon for holding out on issues faced by the society. Being the most vocal advocate of public opinion, it helps in moulding the collective thought of the society towards meaningful objectives. There are several niches in journalism – political, economic, sports and film. It is the last category we are interested in.

Film journalism is a relatively new phenomenon because movies are just over a century old. That is why it is treated with some amount of solicitousness and disdain. Also the development of the reporting style over the years has concentrated on the charisma of the stars. Their moves were recorded with minute attention. Gossip, romantic affairs and bickering battles formed the staple stuff. Film journalists became prominent members of the charmed circle and they could easily be influenced by the stars’ public relations advisors. Barring a notable few, many became film journalists only by accident. Or they wanted to use their reporting stint as a passport to the industry. A serious attempt to disseminate the professional and technical aspects of films or to create a cinematically educated audience was lacking. Education about cinema was confined to movie reviews and coverage of film festivals.

What is the direction we should be heading? What are the challenges before the profession? What should be the objectives of film journalism in the new century? How should film journalists change their approach and join the league of serious journalists? What should they do to earn the respect of their peers? What are their responsibilities?

The most important dictum is that they should believe in the medium. Cinema is as exciting and educative as it is entertaining. It is made up of panoramic elements. It is the duty of journalists to bring all these aspects to the readers. Covering shoots, film launches, star affairs etc. is only a minuscule part of the job. The greater calling is to create awareness about the positive impact of movies. A keen world view of the goings on in international cinema is imperative to bring this perspective in film writing. We should not be confined to Hollywood style action flicks, but pierce deeper into films made in every part of the world. The universality of the difficulties faced by mankind should be brought endearingly to all the readers. Savvy with technology is another desirable attribute. Constant learning and updation of knowledge is the sure fire formula for success.

So, film journos! Take heart! You are not poor cousins of those in the political or economic or sports beats. Your contribution is just as valuable. Learn to love the job and bring your creativity to the fore.

 
Sliver Borderline
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