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Interviewer: Inian | Camera: Hemananth.B |
Text: Jyothsna
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You
could not find a happier person than
Pooja these days. The lady is absolutely
on cloud nine or may be even higher
than that with the success of Naan
Kadavul and the Hosannas that she
has been receiving for her performance.
Super Star Rajnikanth has congratulated
and Pooja is pinching herself hard
to ensure that it is not a dream.
Meet Hamsavalli aka Pooja who is our
guest for the week in a lively and
animated conversation. |
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BW: Hardships
of Hamsavalli
Pooja:
People have been
asking me if I had suffered
hardships doing the role
of blind Hamsavalli especially
wearing white lenses.
But I can very honestly
say that Bala sir did
the hard part and I did
the easy one. Of course,
initially it was difficult
wearing the lenses especially
during test shoots. I
felt as though some foreign
body like a sand particle
was lurking inside my
eye. However I got used
to it slowly. Apart from
the lens issue, I never
had any hardships. But,
more than me, Arya, Krishnamurthy, |
"Bala
sir
did
the
hard
part"
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Keerthana,
cinematographer Arthur Wilson,
art director Krishnamurthy –
they had more of physical strain.
It was more of mental work for
Bala sir and a happy ride for
me. I had made lots of friends,
had good food and generally
had loads of fun. Ever since
the film was released, I have
been getting calls from people
appreciating my work and I am
really happy that all the hard
work has paid good dividends
and the film has been liked
by audience.
How did Naan Kadavul happen?
It was an accident and a nice
one at that. One day Seeman sir
had called and asked me to go
for test shoot for Naan Kadavul.
I assumed it was for a second
heroine or some other part but
he insisted that it is for the
main one. I was doing a Sinhalese
film then and was a bit hesitant.
I was sure I would not be taken
and hence took a chance so that
I can at least meet Bala sir.
In Bala sir’s office at
Chennai, assistant director Shalini
gave my costume of a skirt and
blouse and did the base make up,
ruffled my hair a little and gave
me the lens. When I put on the
lens, I felt too uncomfortable
and was not able to open my eyes
as the lens hurt me a lot. That’s
when Bala sir came in which I
realized by his voice and the
change in the acoustics around
me. After the initial warm up
conversation I was asked to sing.
I was nervous. Thankfully, a Sinhala
film tune came to my mind and
I started singing in a loud voice.
For one, I did not know who was
in front of me or their reaction
as I was wearing the lens. This
helped me shed all my inhibitions.
After a few minutes, Shalini said,
“Ok you are in it. Come
to Periyakulam tomorrow”.
I was shocked because I was already
committed to a Sinhala film and
I cannot walk out from it. But
Shalini was very angry with me
and wondered what made me come
for a test shoot if I was not
serious about it. Then Bala sir
advised me to approach the Sinhala
film producer and ask for his
permission. The producer at Srilanka
was very understanding and let
me go. I am very thankful to him
for if he was not gracious enough
to let go of me, I would not have
had this golden opportunity. |
"The
first two days
were very casual" |
How were your warm up
sessions?
Perhaps, Bala sir had
understood my apprehensions
and trepidations. The
first two days were very
casual. We tried out different
make up, color tones,
dresses, hair setting,
eyebrow appearance etc.
By then I had gotten used
to the entire team. And
then shooting began. I
used to wear my make up,
costumes, reach the shooting
spot and wear the lenses.
Once I have the
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lens
on, I would not know what is
going on around me till the
lunch time and then later pack
up in the evening. I had no
opportunity to know how I had
acted or how I looked. It is
only during the premiere of
the film that I got to see myself
completely and the way I had
looked and acted. During the
making of Naan Kadavul, many
of you have asked me to describe
my character but I had never
answered. It is only because
of this. |
What about other characters
in Naan Kadavul?
In
Bala sir’s films,
characters are portrayed
perfectly and they are
beautiful. Like wise even
in Naan Kadavul, all the
roles have come out very
well like Dimple, Muruga
and host of others. They
all have no knowledge
of cinema but have rendered
a superb performance.
In my opinion, they are
the super stars. We are
all like different colored
threads but Bala sir had
the vision to combine
us, stitch in the right
manner which has resulted
in a splendid dress called
Naan Kadavul. It is a
beautiful story and I
am very happy to have
worked under him.
About your dubbing?
I am not aware if Bala
sir wanted to use my voice
during the shooting. Perhaps,
this idea could have occurred
to him during editing.
When he asked me to dub,
I hesitated and told him
that I will goof this
up and suggested that
he use a dubbing artist.
But he insisted that I
dub. I was at my wit’s
end the previous night
and was praying to God.
The next day when I reached
AVM |
"We
are all
like
different
colored
threads
but
Bala sir
had
the vision
to combine us"
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"I
suffered
more
during
dubbing
than
while acting"
|
dubbing theatre, I saw
fighter Rajendran dubbing
and heard different types
of sounds. This gave me
severe headache. Bala
sir is very understanding.
He realized my plight
and asked me to just observe
everything and dub the
next day. He again gave
me a concession and said
that I can dub two scenes
a day. I did not have
many dialogues in the
film and a dubbing artist
could have completed it
in half a day whereas
I took six full days to
finish. I suffered more
during dubbing than while
acting. Though I can speak
Tamil, my Tamil will have
mix of Kannada, Telugu,
Hindi, Malayalam, and
Sinhala accents. But more
than me, sound engineers
had a tough time when
I was dubbing. They were
very helpful and supportive.
My dubbing credit goes
to Senthil, Ravi and Bala
sir and acting credit
to Bala sir. My thanks
are also due |
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to Wilson sir who showcased
me correctly. Thanks to Ilayaraja
sir for the lovely, soul stirring
music which has helped the film
to a large extent. I am just
a small mustard seed in Naan
Kadavul.
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Your relationship with
Arya
People
have been asking me about
this and I find it extremely
funny. To some I have
said that I love him very
much and to some I have
replied in negative. But
the truth is I love Arya
very much but as a friend.
This has always been misunderstood.
We can love our mother,
our brother, our sister
and so on. Arya is a very
nice person and a good
friend to me. We have
done four films –
Ullam Ketkume, Oram Po,
Pattiyal and now Naan
Kadavul. Arya will always
call me and say that our
chemistry will not work
out. But when he called
me recently and said that
though we did not have
love chemistry in Naan
Kadavul, |
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somehow
it has worked out. As regards
Naan Kadavul, I did not take
any physical strain, but Arya
did. All the fight sequences
were done without a soft cushion
and he had to sit upside down.
Hats off to Arya for his stamina
and guts to do those stunts!
Even when I did not have shooting,
I used to watch the fight shots.
A lot of home work has gone
to shoot those sequences which
Bala sir did with his team.
They used to have lengthy discussions
on all the aspects of the scenes
to be shot which used to extend
into the wee hours. Bala sir
has an excellent back up team
which helped him a lot. |
Will you continue to act in
such films?
I don’t know if I would
get such roles. All that I know
is I am happy right now.
Did
you prepare for Hamsavalli?
Actually I wanted to visit a
blind school to understand their
behavior, body language, thinking
pattern but had no time and
rushed to Periyakulam for shooting.
The nice thing was Bala sir
did the complete homework for
me. We had an exhaustive discussion
about my role and he told me
everything that was required.
He completely sketched Hamsavalli
in front of me. He also added
that blind people will have
some other senses like hearing
which will be very sharp. Though
I did not understand him initially,
his speech fell into place on
the third day when I made out
from the sounds of children
returning from school that it
was 4 o’clock. From the
sounds of chirping birds, I
would know it is 6’o clock
and time to pack up. From the
sound of the bus horn, I was
able to make out the location
of bus whether it was near or
far. From the voices, I was
able to gauge the age of people.
We also had some kind of guessing
game. From the voice, I was
to guess who the person was
and if I was right I used to
get 10 points. I realized how
difficult it is to be blind.
Do you have something to say
to such people?
Everybody is special and God
has gifted everyone with some
special talent. In my opinion,
they have enriched me.
About
the games played during the
shoot?
Yes! It was lots of fun. My mom
first came to drop me at Periyakulam
and seeing the team, she left
confidently saying that I will
be well taken care of. One day
Bala sir called me and said if
I answer his questions (in Tamil)
correctly, I will be given Rs
50,000/-He asked me to find a
palindrome in Tamil and I called
everyone to find the answer luring
people with some cut in my prize
money to them. Somebody said it
was srilasri but the answer was
wrong. So Bala sir said he is
giving me one more chance but
the prize money was getting reduced
to Rs 40,000. I finally found
the right word. It was vikadakavi
but I would not tell you who gave
me the answer. So this is how
Bala sir broke the ice with everyone.
He made sure everyone was comfortable
on the sets. |
"I
always
used
to win
by cheating" |
Card games during Naan
Kadavul shoot
My father had taught me
rummy and at home we all
play cards in our free
time and I always used
to win by cheating. But
I was not able to employ
my cheating tricks here
and somehow Bala sir used
to let me win. I played
for five days and won
2.5 lakhs. But I lost
everything in just one
game. I felt very sad
but this is how we all
had a good time.
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How was it working in Sinhala
films?
Their
working style and work culture
is entirely different from ours.
They are in a way more similar
to Malayalam films and are small
budgeted. Most of their films
are love based and they prefer
such themes. They don’t
like action themes. I love working
both in Sirilanka as well as
in Tamil Nadu.
What
is the feedback that you have
been receiving for Naan Kadavul?
People
have been appreciating my work,
cameraman Wilson’s work
and everyone’s acting.
They also like the humor which
is laced through out.
You
are the third heroine for Naan
Kadavul. Your comments?
Yes,
I know that. Earlier Bhavana
and Karthika were in the film
but they could not do for various
reasons. I consider myself lucky
to have acted in Naan Kadavul.
Who
was the first one to congratulate
you?
The
first person was Bala sir. He
called me and said “Pooja,
you have done a good job”.
Such words coming from someone
like Bala sir who is a man of
few words was something remarkable
to me. He generally does not
talk to everyone unless he is
comfortable and during shoots
he will not speak as he is engrossed
in his work. But he does not
restrain anyone from speaking.
So when I was appreciated by
him, I was not in cloud 9 but
was in cloud 13. His appreciation
was most important for me.
Which
was the most difficult scene?
Climax
scene! They had to apply a mask
kind of make up on my left cheek.
An experienced make up man by
name Anil who had done Kamal’s
face in Anbe Sivam did my face.
I never expected my skin to
be so sensitive. Although they
used the best products, the
gum that was used to stick the
mask on to my face had burnt
my skin completely. I had to
wear this mask for three days
as continuity was to be maintained.
When I had to speak, I was constantly
afraid that the mask would come
off. Meanwhile pus started coming
in from the burnt part and I
had to remain with that for
the entire day. But thankfully,
my doctor gave me a medicine
which helped me and I was back
to normal in a week. So climax
scene was the most difficult
part for me.
How many takes you generally
took?
Bala sir’s style of functioning
did not have any takes or rehearsals
in the sense that we would not
know which one is a take, which
one is rehearsal etc. When he
calls for action, we are supposed
to do the entire scene. So we
had continuous practice sessions.
The last scene at the hilltop
had many artists and I did not
know how Bala sir managed everyone
but he did it in a fantastic manner.
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