There
are no gruesome, bloodthirsty
violent escapades or no double
entendres or for that matter
no Anabond-stuck lip locks.
Wow, you almost thought what
a clean entertainer and were
about to appreciate the director?
Hold on! There is no story either
in Mariyadhai. Ok, you rake
your brains to scout for a novel
feature and all that you get
is a deja vu feel of Vikraman’s
past flicks. All right, let
us look at the screen play.
Oops no! Screen play is like
a vagabond on its own trip,
stutters, stumbles and comes
to |