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Taare Zameen Par Movie Review |
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Behindwoods
Movie Review Board |
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Taare
Zameen Par
Cast
: Aamir Khan, Tanay Chheda, Darsheel Safary, Tisca Chopra,
Vipin Sharma, Lalitha Lajmi
Direction: Aamir Khan
Music: Shankar Mahadevan, Ehsaan Noorani, Loy Mendonca,
Shailendra Barve
Production: Aamir Khan Productions, PVR Cinema |
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Taare
Zameen Par is the long awaited movie of Aamir Khan whose last
was the unforgettable Rang De Basanti. And thanks to Aamir
and Big B’s war of words, Taare Zameen Par just got
bigger and bigger. Has Aamir Khan been able to withstand the
tremendous hype? Well, it looks like Mr. Perfectionist has
done it yet again. |
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Out
of the very few movies based on children which do come
to mind - Anjali(Tamil), Makdee (Hindi), Smile, Blue
Umbrella, Chain Kuli Ki Main Kulli, Kanathil Muthamittal
(Tamil), and Say Salaam India, only Anjali was accepted,
even though others got a huge reception in film festivals
across the world.
Children’s movie as a genre is rarely explored
in India and when the few gems get a poor reception
at the box-office, many were not ready to put money
on such movies. But when one of the superstars in Indian
cinema Aamir decided to make a movie on autistic children
and when the official statement was out that he would
direct the movie too, it became hot in the trade. |
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Taare Zameen par is about a Dyslexic boy, Ishaan (Darsheel
Safary), who lives in his own world of stars, spaceships
and colors, with little or no concentration in his
studies. Ishaan’s parents, especially his father,
is not ready to let his son stray and packs him off
to a boarding school to get disciplined. But the decision
slowly becomes a blunder as Ishaan becomes lonely
and stops talking to anyone. In comes a vibrant young
teacher with the heart of gold Ram Shankar Nikumbh
(Aamir Khan) who understands the turmoil the kid is
going through and decides to help him. Whether Ram
Nikumbh is successful in his mission forms the crux
of the movie that is worth watching.
The
movie is sure to become a benchmark for all the debutant
directors and if a debutant director is able to achieve
even half of what Aamir Khan did in his debut directorial
venture, he/she can consider it a feat. The movie
is a product direct from Aamir’s heart. It could
otherwise have been a promising entry from India to
the Oscars but for some clichéd and melodramatic
scenes.
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The
scene when Aamir, who runs a school for the mentally
challenged children, cries when they dance in the
stage look too theatrical. However, apart from a few
scenes everything has been taken care with élan.
The scene in which the mother sees a flipbook drawn
by Ishaan makes our tear too experience a joy ride
down our cheek.
Darsheel
Safary as Ishaan steals the prize with a flawless
performance. But in the first half we can see a lot
of Aamir khan in him but then that’s a good
thing. The debutant just carries off the movie on
his small shoulders and he definitely has a strong
shoulder. Next in line is Tisca Chopra as Ishaan’s
mother who is a complete natural and depicts the plight
of a helpless wife and a worrying mother with unusual
ease, the scene in which she cries when Ishaan is
sent to the boarding school is something, which should
not be missed. Sachet Engineer as Ishaan’s brilliant
elder brother is a treat to watch and thanks to his
well-etched character, he remains with us long after
the movie is over. Aamir Khan as usual brings out
the right emotions with admirable ease, even though
he comes just before the interval, it was a wait well
worth it. Vipin Sharma as Ishaan’s strict father
is just about ok, but the scene in which he is left
speechless by Aamir when he tries to justify his love
towards his son will surely draw in a lot of claps.
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The
movie is technically brilliant; from the imaginative special
effect works to the artistic cinematography by Setu, most
of it seems to be flawless. But amidst all these things
stands a trio whose work in this movie is just too good
to be true - poetic rendition of the songs by Shankar, Ehsaan,
and Loy. The songs are all finely rendered and amazingly
penned by Prasoon Jhoshi, especially the song on mother,
which is sure to fetch him almost all the major awards for
the best lyrics. Dialogues are too natural which goes well
with the treatment of the theme.
Overall
it is a movie, an emotional roller coaster, which will surely
be appreciated by the multiplex audience. If Rang De Basanti
created a revolution amongst the youth, this movie will
surely be a boon for the parents to know their children
better. Although it slightly misses the perfect mark, Taare
Zameen Par is still a valiant effort and a movie not to
be missed.
Verdict: Almost Perfect
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