FORREST KHAN RULES!
By Behindwoods Visitor K.ANANTH
The views expressed in this column are that of the visitor. Behindwoods.com doesn't hold responsible for its content.
If you thought the re union of Karan, King Khan and Kajol after almost a decade was not reason enough to watch this movie, yes, you thought right. There is so much more to celebrate, so much more to look forward to, that the above statement meekly fades into insignificance. Perhaps it would be safe to say that this is the best thing that has happened to Bollywood since TAARE ZAMEEN PAR, if not better.

Shahrukh, easily delivers the performance of his career as Rizwan Khan(Yeah this is after taking into account his, subtle yet magnificent portrayal as Kabir Khan, the hockey coach in CHAK DE INDIA), a man suffering from Asperger's Syndrome, a disorder which makes it difficult for him to interact socially besides being over sensitive to loud noises and certain colours.

Rizwan finds love in the form of Mandira (Kajol), a divorced mother working as a hair stylist in New York. Soon after their wedding the Khans' perfect existence gets disrupted thanks to the infamous 9/11 attack on the twin towers. This movie is not just about the aftermath of the attack, and the way the world looked at one community in particular; more importantly it is about the triumph of love and the triumph of the human spirit.

To Karan's credit almost everything in the film seems so natural, so real. Take for example the way the relationship between Khan and Kajol is portrayed, so subtle and beautiful and not to mention the natural chemistry the two share on screen; it only makes things better.

Making a statement is one thing. Making a loud and clear
My Name is Khan
statement is quite another. It is indeed true that a few recent flicks have come out with 9/11 as their backdrop but the reason why MNIK hits the nail on it's head, something which the others could not do, is by simply making us so emotionally involved with the characters. Indeed as the plot unfolds you start rooting for Rizwan Khan, completely forgetting about the superstar he just replaced.

Technically the movie is brilliant, be it the artwork or cinematography or the beautiful locales. However Shankar-Ehsaan-Loy could have come up with better scores for a project as mammoth as this.

So what if Rizwan's character resembles a bit of Hanks' Gump and Hoffman's Raymond? So what if Karan takes a few cinematic liberties towards the dying moments of the film? There is still no denying that MNIK is one of the best movies of the decade.

VERDICT: - A FULL BLOWN MASTERPIECE!

4.5/5.

REVIEW BY
K.ANANTH
krishananth1990@gmail.com
 

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