AN IMPERFECT LANDMARK IN INDIAN CINEMA
By Behindwoods Visitor K.ANANTH
The views expressed in this column are that of the visitor. Behindwoods.com doesn't hold responsible for its content.
When someone like Selvaraghavan, one of the most talented and successful directors in the industry today spends almost three years on a single project, you tend to guess that he must have something up his sleeve. If that particular "something" turns out to be something radically away from the norm and does get translated on screen even with moderate success it will inevitably capture the people's imagination, and trendsetters will be born.

For starters AO is definitely not everyone's cup of tea. Brimming with eccentricities, what starts off as an INDIANA JONES type action adventure, snowballs into a clash between the descendants of the Chola and Pandia dynasties dating back to the 13th century, needless to say involving treachery, prophesies, black magic and an epic end battle. By very cleverly letting the story unfold in a fictional mode, Selva has avoided possible historical potholes and has let his imagination run amok yielding some very unpredictable yet not wholly enjoyable results.

You actually end up feeling having watched two movies at the price of one when you exit the cinemas. While the first half passes through in a whisker the events in the second half take their own sweet time to unfold testing your patience on more than one occasion. Surely it could have been pruned better?!

One cannot but help marvel at the level of creativity and boldness of filmmaking involved. In many a sequence, strokes of genius are evidently visible. On the other hand some never before seen graphic violence and nudity may turn off many. The ancient, chaste and pure Tamil used in the second half, though a delight to hear could have a similar effect.
Aayirathil Oruvan

Performances wise Karthi and Reema have acted out of their skin but Andrea wears a deadpan expression for most part. Parthiban pulls off a surprisingly heavy duty role with ease. Artwork is fairly convincing given that more than 40% of the film involves extensive CG work which again is passable even though a couple of animals appearing on screen look straight out of cartoon network. The background score is impressive and the songs are elevated a notch higher thanks to some imaginative picturisation.


On the whole AO is a movie to be watched with an open mind as it is far removed from stereotypes and is certainly not for the faint hearted. Let us excuse the flaws and welcome this one with open arms as Tamil cinema takes its baby steps towards a new dawn.

VERDICT: - FLAWED STROKES OF A MAD GENIUS!

Stars - 3/5

REVIEW BY
K.ANANTH.
krishananth1990@gmail.com
 

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