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Revisiting the magic of Kangal Irandaal |
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October 06, 2008 |
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These
are times when songs are shot as fantasies,
in giant expensive sets or scenic foreign
locations. But among the crowd of songs
that provide visual pleasure, some stand
out for their simplicity, their proximity
to our lives. Being simple is not a
simple thing to do, especially when
the world is moving the other way, swimming
against the tide takes |
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conviction.
Songs shot as montages have always been popular
through the years. The effectiveness of montages
lies in the fact that they take the story
forward and thus hold our attention, they
build characters and can fold many subplots
into them. Subramaniapuram’s Kangal
Irandaal is the best recent example of a montage
working wonders.
But before talking about the montage, let’s
also talk about the music that made the song
so beautiful in the first place. This is not
the kind of mellifluous stuff that debutants
are able to produce often. But counting James
Vasanthan as a debutant would be a mistake.
Even though Subramaniapuram was his first
film as composer, he has been around in the
world of music long enough to know what exactly
to produce. Most of us cannot appreciate the
intricacies of the ragas used, but for those
who would like to know, Kangal Irandaal is
based on the Reethigowlai ragam. The music
director is not the only debutant for this
superhit song, even the singers are first
timers. Belly Raj and Deepa Mariam, have done
an outstanding job. Belly Raj had been trying
his luck for some time in Kollywood before
this opportunity came knocking. Belonging
to the rather unknown and small Baduga community
who are still to come into cities, he believes
that his achievement will be an inspiration
to his people.
When the song was being conceived, director
Sasikumar had described in detail his plan
of how to shoot the song, James Vasanthan
had set the tune and Thamarai had written
the lyrics. Thamarai took more than a week
to get the lyrics in order, she had some commitments
at home. But when she gave the lyrics, there
were 4 pallavis, out of which the best was
chosen, too sad that the other 3 could not
be heard.
The beauty of Kangal Irandaal is the innocence
of the romance. The lyrics describe perfectly
the romance that blossomed only through furtive
glances, the deep desire for a few words but
the apprehension that holds them back. Of
course, such a song might look out of place
in contemporary times, but it set in perfectly
with the Madurai of 1980s, that’s why
we all love it so much. |
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