Tamil
cinema has a long legacy. It has produced movies on
historical events, personalities and contemporary social
issues. Tamil films generally fall in the genres of
musical, sentimental drama and comedy. A recent phenomenon
in the past two decades has been the action film. This
involves stunts and fights which have been increasing
in complexity
and
sequencing. Nevertheless, a missing element is the
thriller for which there are only a few films worth
mentioning like Sivaji’s Pudhiya paravai and
Ravichandran’s Adhe kanngal. Although there
have been talented directors and actors in the industry,
they have stayed away from the thriller. Apart from
the peerless Sivaji, only Ravichandran and Jaishankar
come to our mind immediately when we think of suspense
stories. Why is the thriller not popular with the
Tamil audience? Why did the recent Shock fail to enthuse
the viewers?
Films
in Tamil have always been a provider of entertainment
set in the own social milieu of the audience. That
is why social films or contemporary stories have become
mass hits. Historical films ran well because of the
strong screenplay and excellent acting. Thrillers
or suspense stories were generally felt to be difficult
for audience
acceptance.
Skilled directors concentrated on dialogues and acting
abilities rather than on the build up and sustenance
of the suspense. A few early films in the thriller category
failed at the box office, prompting directors to dump
the category as a whole. In such a scenario, Jaishankar
and Ravichandran alone managed with a handful of murder
mysteries. The intrigue in the screenplay was created
well and so the audience liked it. With the modern age
however, directors have decided to play it safe and
these days not many thrillers are made.
Economics-wise
also, thrillers are difficult to make because they call
for extra expenditure in terms of actors’ remuneration
required for longer schedules, camera placement, special
effects and so on. Many heroes cannot afford to give
such bulk dates in these days of quicksilver popularity.
Thrillers
need not necessarily involve an urban set up. It can
have a universal appeal irrespective of the setting.
Only the presentation matters. However, Hollywood-style
nuclear wars or oil rig adventures, may not appeal to
our audience. But they would definitely lap up a good
mystery film told with a punching screenplay. Our directors
would do well to take a leaf out of Hitchcock. Is anyone
hearing?