Next came Gautham Menon’s Nadunisi Naaygal which
depicted an aberrated soul that went on a rampage with
assorted facets of psychological anomalies as offshoots
again with women at the receiving end.
In
all these bodies of work, women and the crimes against
them remains the fulcrum. The common thread that links
these movies is the basic premise of danger, that women
are/may be/likely to be subjected to, which is primarily
of a sexual connotation. While it may render a gratifying
feel to the audience that things otherwise cannot be
accomplished (by them) in real life gets done by someone
in the reel life (Easan or Yudham Sei), a question also
arises as to the nature of the content that is being
presented and its sub-texts.
Are
the film makers trying to convey that it is acceptable
to eliminate the offenders as it is futile to turn to
judiciary or are they trying to tell that there are
state-of-art techniques to make people vanish or is
there an attempt to give an idea that there are different
ways to bring pain to women?
It
is fine to assume that cinema is just an entertaining
medium whose core goal is to entertain the audience
but the dynamics of film viewing and its equations have
changed over a period of time as this art form has the
potency to have a strong influence on the weak and vulnerable
minds. The lines that separate the ‘acceptable
content’ from the ‘not acceptable content’
is slowly blurring and that’s where the filmmaker’s
intelligence and responsibility towards society comes
into play to package the content in the right manner
so as to get across the right message to the right target
segment because there are hoards of people out there
who take cinema seriously and look for inspiration from
the medium. And it is no longer ‘only for entertainment’
purpose. That’s why we have many cine stars turning
to politics and political parties turning to actors
to bring in an appreciable increase to their vote bank.
And that’s why we have temples for movies stars
and that’s the reason we have huge number of fan
clubs affiliated to different stars.
Some
minds may still feel that the role of cinema influencing
someone’s life is contentious. There could be
an argument that this medium does not offer life altering
courses and an individual does not become good or bad
by watching cinema. This surmise could work for exceptionally
strong or weak people because the former knows perfectly
well the difference between reel and real and nothing
much can be said about the weak minds.
However,
there is a huge chunk of population in between, which
is extremely gullible, which is sitting on the wall
waiting to jump but not knowing which side to take the
leap to. It is this population that needs to be tuned
into the right frequency to make a positive difference
to societal set up. It is this group that requires the
right kind of impetus and direction to take their life,
society and nation forward.
In
Easan, the dad killing the daughter because she was
raped, suggests a regressive thought process. Yudham
Sei also followed a similar pattern where death seems
to be the solution for someone subjected to such a heinous
crime. Needless to say, any sexual (perverted) act against
the consent is a trauma by itself and there are no two
ways about its agonizing effects on the affected person.
But at the same time let’s not close our eyes
and thoughts to the fact that we live amidst perverse
minds too and it is imperative to empower women (or
the case may be) and the immediate family to help them
deal with such crimes and its aftermath rather than
to archaically say–‘you are raped and you
are finished’.
This
is where change agents like cinema, should seed optimism
and hope in the minds of the affected party and help
instill the idea that there is more to life beyond such
acts. This is where talented filmmakers, through their
films can render a totally fresh and radical perspective
to things which could go a long way in life. Let films
be not made that would be a ready reckoner in abetting
follies but let films be made with a positive purpose
instrumental enough to infuse uncompromising value systems
to its audience. And we do have numerous such catalysts
in our film industry capable enough to bring about those
amendments.
Respond to bhavnasmom@gmail.com
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